![]() Within the scope of the article, the concept of shadow were examined through Plato's allegory of the cave and Picasso in the art history and, the works of Giorgio De Chirico, Andy Warhol, David Hockney, Kare Walker, Tim Noble and Sue Webster for the purpose of clarifying the links between them. In this context, the present study examined Plato's allegory of the cave and the artists who used shadows in art history as the main element in their works to exploit the misleading properties of shadows. Point of education is to draw out the knowledge thats already in your head. The illusion of shadow is also emphasized in the metaphor described in Plato's allegory of the cave, in which prisoners make the shadows they see on the wall identical to real life, and in which some prisoners cannot be convinced that shadows are not real by the other prisoners who experienced the real life out of prison. Description: Students are introduced to Platos Allegory of the Cave. The fear, adrenaline and delusion of shadows also provide an inspiration for artists. They have developed a technique of drawing portraits by drawing from the edges of their shadows, which are reflected on the canvas or plane. Shadow has been a technique for the artists for many years afterwards. The first people attributed divine power on their shadows and believed they gained life by drawing them from their edges onto cave walls. Shadows, which the first man described as a divine phenomenon, also have an important place in the history of art. Shadow formed by the light has been a concept that ascribed a meaning for humans starting in the early ages. Summary/Abstract: It takes light for the shadow to form. 15 The allegory of the cave seeks precisely to dissuade us from and undermine the way poetry draws us even closer to the world of our bodies and emotions. ![]() and refuse to let him go till he had drawn him out into the light of the sun. Published by: Sanat ve Dil Araştırmaları Enstitüsü Keywords: Shadow Art History Plato's Allegory Of The Cave artists Platos Allegory of the Cave from his most famous work - The Republic. Subject(s): Cultural history, Visual Arts, Aesthetics, History of Art THE MISLEADING FEATURE OF SHADOW IN THE ART HISTORY AND PLATO'S ALLEGORY OF THE CAVE Author(s): Reyhan Uludağ Eraslan SANAT TARİHİNDE GÖLGENİN YANILTICI ÖZELLİĞİ VE PLATON’UN MAĞARA ALEGORİSİ
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